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	<title>Comments for Ruth Rosselson, freelance writer</title>
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	<link>http://ruthrosselson.net</link>
	<description>Ruth Rosselson: writer, researcher &#38; consultant</description>
	<lastBuildDate>Fri, 26 Aug 2011 19:09:57 +0000</lastBuildDate>
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		<title>Comment on On being disabled by richardfrosty</title>
		<link>http://ruthrosselson.net/2011/08/17/on-being-disabled/#comment-118</link>
		<dc:creator><![CDATA[richardfrosty]]></dc:creator>
		<pubDate>Fri, 26 Aug 2011 19:09:57 +0000</pubDate>
		<guid isPermaLink="false">http://ruthrosselson.net/?p=510#comment-118</guid>
		<description><![CDATA[A very interesting article.

Never really thought about it before, but having read this I agree that disabilities are no less valid simply because they don&#039;t confine you to a wheelchair. My concern is that the current drive to force people off incapacity benefits and back into work misses all this subtlety.]]></description>
		<content:encoded><![CDATA[<p>A very interesting article.</p>
<p>Never really thought about it before, but having read this I agree that disabilities are no less valid simply because they don&#8217;t confine you to a wheelchair. My concern is that the current drive to force people off incapacity benefits and back into work misses all this subtlety.</p>
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		<title>Comment on On being disabled by Anne Miller</title>
		<link>http://ruthrosselson.net/2011/08/17/on-being-disabled/#comment-105</link>
		<dc:creator><![CDATA[Anne Miller]]></dc:creator>
		<pubDate>Tue, 23 Aug 2011 10:48:31 +0000</pubDate>
		<guid isPermaLink="false">http://ruthrosselson.net/?p=510#comment-105</guid>
		<description><![CDATA[Great article

I recently and quite suddenly found myself crippled by arthritis in my foot.    Like Ruth, I absolutely didn&#039;t think of myself as disabled: I was a walker, climber, kayaker and mountain biker .... but I could only walk about 100m.  Medical advice was that this was either probably permanent (the surgeon) or that might improve a bit if I was careful and worked hard (the physiotherapist)  

I&#039;ve been trying the physio route and when its been painful I&#039;ve been very careful about not agravating it.  Often this has meant using my bike when normally I&#039;d have walked somewhere.   When visiting historic sites over the summer, we found some sites were much more helpful and supportive about this than others.  Historic Scotland were fantastic:They immedately trusted me not to do wheelies amongst their ancient stones and welcomed me + bike amongst their ruins. One neolithic site in Orkney even took their gate off its hinges to make it easier for me to bring the bike in!  On the other hand, The National Trust were unbelievable nitpicking and bureaucratic.   No way could I use my bike to accompany my friends round the gardens  at Anglesey Abbey in Cambridgeshire.. even tho there was no way this could be damaging.  They offered me an electric buggy, which no doubt would have been good for some of their elderly visitors, but as a fit mid50s I would have been mortified to have used one..   Finally with lots of huffing and puffing, they allowed me to be let in (on foot) at a gate at the far side of the gardens, so I could at least join my friends for a picnic, even if the rest of the gardens were out of my range.

Currently I&#039;m making quite good progress with the physio and my range is increasing so it is limiting my activities less than it did, but the experience has been eye opening about the subtleties of disabilty and the need for flexibility in accommodating people&#039;s needs.

Anne]]></description>
		<content:encoded><![CDATA[<p>Great article</p>
<p>I recently and quite suddenly found myself crippled by arthritis in my foot.    Like Ruth, I absolutely didn&#8217;t think of myself as disabled: I was a walker, climber, kayaker and mountain biker &#8230;. but I could only walk about 100m.  Medical advice was that this was either probably permanent (the surgeon) or that might improve a bit if I was careful and worked hard (the physiotherapist)  </p>
<p>I&#8217;ve been trying the physio route and when its been painful I&#8217;ve been very careful about not agravating it.  Often this has meant using my bike when normally I&#8217;d have walked somewhere.   When visiting historic sites over the summer, we found some sites were much more helpful and supportive about this than others.  Historic Scotland were fantastic:They immedately trusted me not to do wheelies amongst their ancient stones and welcomed me + bike amongst their ruins. One neolithic site in Orkney even took their gate off its hinges to make it easier for me to bring the bike in!  On the other hand, The National Trust were unbelievable nitpicking and bureaucratic.   No way could I use my bike to accompany my friends round the gardens  at Anglesey Abbey in Cambridgeshire.. even tho there was no way this could be damaging.  They offered me an electric buggy, which no doubt would have been good for some of their elderly visitors, but as a fit mid50s I would have been mortified to have used one..   Finally with lots of huffing and puffing, they allowed me to be let in (on foot) at a gate at the far side of the gardens, so I could at least join my friends for a picnic, even if the rest of the gardens were out of my range.</p>
<p>Currently I&#8217;m making quite good progress with the physio and my range is increasing so it is limiting my activities less than it did, but the experience has been eye opening about the subtleties of disabilty and the need for flexibility in accommodating people&#8217;s needs.</p>
<p>Anne</p>
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		<title>Comment on On being disabled by Max Wurr</title>
		<link>http://ruthrosselson.net/2011/08/17/on-being-disabled/#comment-99</link>
		<dc:creator><![CDATA[Max Wurr]]></dc:creator>
		<pubDate>Wed, 17 Aug 2011 13:27:06 +0000</pubDate>
		<guid isPermaLink="false">http://ruthrosselson.net/?p=510#comment-99</guid>
		<description><![CDATA[Very well put, and to answer your specific question about &#039;proving&#039; you are disabled, the Equality Act 2010 defines a disabled person as someone who has a physical or mental impairment which has a substantial (i.e. more than minor or trivial) and long-term (i.e. lasting more than a year or frequently recurring) adverse effect on their ability to perform normal day-to-day activities. There is no requirement to be claiming benefits or to register as disabled or anything else.

In keeping with that, the law does not require that you prove to service providers (which would include festival organisers) that you meet this requirement; it simply requires them to make the necessary reasonable adjustments to ensure that you can use their service.

The bottom line is, if you feel excluded because of your disability, ask the service provider in question what arrangements they have to accommodate you. If they have no arrangements or show no willingness to make such arrangements (as long as these are reasonably practicable), they will be in breach of the Act and you can legitimately take action against them. And frankly, you bloody well should.]]></description>
		<content:encoded><![CDATA[<p>Very well put, and to answer your specific question about &#8216;proving&#8217; you are disabled, the Equality Act 2010 defines a disabled person as someone who has a physical or mental impairment which has a substantial (i.e. more than minor or trivial) and long-term (i.e. lasting more than a year or frequently recurring) adverse effect on their ability to perform normal day-to-day activities. There is no requirement to be claiming benefits or to register as disabled or anything else.</p>
<p>In keeping with that, the law does not require that you prove to service providers (which would include festival organisers) that you meet this requirement; it simply requires them to make the necessary reasonable adjustments to ensure that you can use their service.</p>
<p>The bottom line is, if you feel excluded because of your disability, ask the service provider in question what arrangements they have to accommodate you. If they have no arrangements or show no willingness to make such arrangements (as long as these are reasonably practicable), they will be in breach of the Act and you can legitimately take action against them. And frankly, you bloody well should.</p>
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		<title>Comment on Women at Womad 2011 by JoannaMary</title>
		<link>http://ruthrosselson.net/2011/08/04/women-at-womad-2011/#comment-97</link>
		<dc:creator><![CDATA[JoannaMary]]></dc:creator>
		<pubDate>Mon, 15 Aug 2011 00:57:22 +0000</pubDate>
		<guid isPermaLink="false">http://ruthrosselson.net/?p=500#comment-97</guid>
		<description><![CDATA[Its great to ask the question, it still needs asking. I was at WOMAD this year (for the first time) and saw a number of female performers. I also borrowed the confused feminist book from the Human Library so had a lively discussion about feminism in 2011 in the middle of the festival which ended up with whether Beyonce was a feminist or not.  My thought over the weekend was why many of the bands have just one female performer - mostly a second soloist. A question for Bellowhead perhaps. It looks and feels tokenistic, and perhaps reflects that far fewer woman play the instruments traditionally associated with bands (guitars and drums).  Your question about should there be a move by the organisers to achieve a gender balance or is it about quality and popularity at first sight seems simple to answer - festivals have to make money and punters pay for quality, and are unlikely to buy a ticket if they recognise no names on a bill (although in these days of youtube et al it is possible to sample ahead which is how we discovered The Boxettes). So the gender inbalance cannot be laid at the door of the festival organiser but rather labels and promoters who need to think about why male performers and bands get signed and female artists don&#039;t. As Sam says, what are the barriers and how do they get dismantled? As punters (audiences, purchasers) we surely just buy music we like regardelss of gender?]]></description>
		<content:encoded><![CDATA[<p>Its great to ask the question, it still needs asking. I was at WOMAD this year (for the first time) and saw a number of female performers. I also borrowed the confused feminist book from the Human Library so had a lively discussion about feminism in 2011 in the middle of the festival which ended up with whether Beyonce was a feminist or not.  My thought over the weekend was why many of the bands have just one female performer &#8211; mostly a second soloist. A question for Bellowhead perhaps. It looks and feels tokenistic, and perhaps reflects that far fewer woman play the instruments traditionally associated with bands (guitars and drums).  Your question about should there be a move by the organisers to achieve a gender balance or is it about quality and popularity at first sight seems simple to answer &#8211; festivals have to make money and punters pay for quality, and are unlikely to buy a ticket if they recognise no names on a bill (although in these days of youtube et al it is possible to sample ahead which is how we discovered The Boxettes). So the gender inbalance cannot be laid at the door of the festival organiser but rather labels and promoters who need to think about why male performers and bands get signed and female artists don&#8217;t. As Sam says, what are the barriers and how do they get dismantled? As punters (audiences, purchasers) we surely just buy music we like regardelss of gender?</p>
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		<title>Comment on Women at Womad 2011 by John Spiers</title>
		<link>http://ruthrosselson.net/2011/08/04/women-at-womad-2011/#comment-91</link>
		<dc:creator><![CDATA[John Spiers]]></dc:creator>
		<pubDate>Fri, 05 Aug 2011 06:57:02 +0000</pubDate>
		<guid isPermaLink="false">http://ruthrosselson.net/?p=500#comment-91</guid>
		<description><![CDATA[It&#039;s a very valid comment. And I think you&#039;d find if you did analysis of all festivals that the gender gap would be skewed in the same direction although not by quite so much. 

In the UK I think it&#039;s a case of an industry where the show-offs and pushy succeed (and the majority of those tend to be men) rather than a conspiracy. At Womad where a plethora of cultures are represented with (let&#039;s call it for the sake of politeness) a more traditional attitude to equality the results are more striking.

As a member of Bellowhead which is only 1/11th female (although some would say it&#039;s more) I&#039;m aware that we&#039;re part of the problem.  I&#039;m all for redressing the balance because with a larger pool of talent, the music will be better, and that&#039;s got to be a good thing. The question is, how?]]></description>
		<content:encoded><![CDATA[<p>It&#8217;s a very valid comment. And I think you&#8217;d find if you did analysis of all festivals that the gender gap would be skewed in the same direction although not by quite so much. </p>
<p>In the UK I think it&#8217;s a case of an industry where the show-offs and pushy succeed (and the majority of those tend to be men) rather than a conspiracy. At Womad where a plethora of cultures are represented with (let&#8217;s call it for the sake of politeness) a more traditional attitude to equality the results are more striking.</p>
<p>As a member of Bellowhead which is only 1/11th female (although some would say it&#8217;s more) I&#8217;m aware that we&#8217;re part of the problem.  I&#8217;m all for redressing the balance because with a larger pool of talent, the music will be better, and that&#8217;s got to be a good thing. The question is, how?</p>
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		<title>Comment on Women at Womad 2011 by Black Shuck</title>
		<link>http://ruthrosselson.net/2011/08/04/women-at-womad-2011/#comment-90</link>
		<dc:creator><![CDATA[Black Shuck]]></dc:creator>
		<pubDate>Thu, 04 Aug 2011 23:18:32 +0000</pubDate>
		<guid isPermaLink="false">http://ruthrosselson.net/?p=500#comment-90</guid>
		<description><![CDATA[Candi Staton was a headliner in 2007. I actually don&#039;t care what sex the performers are. I care about whether they are good musicians or not. But then I don&#039;t have an agenda when I go to WOMAD.]]></description>
		<content:encoded><![CDATA[<p>Candi Staton was a headliner in 2007. I actually don&#8217;t care what sex the performers are. I care about whether they are good musicians or not. But then I don&#8217;t have an agenda when I go to WOMAD.</p>
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		<title>Comment on Women at Womad 2011 by sam kimmins</title>
		<link>http://ruthrosselson.net/2011/08/04/women-at-womad-2011/#comment-89</link>
		<dc:creator><![CDATA[sam kimmins]]></dc:creator>
		<pubDate>Thu, 04 Aug 2011 18:54:20 +0000</pubDate>
		<guid isPermaLink="false">http://ruthrosselson.net/?p=500#comment-89</guid>
		<description><![CDATA[(oops - missed out my crucial question - Is this gender bias reflected in the industry overall?  I&#039;m guessing yes)]]></description>
		<content:encoded><![CDATA[<p>(oops &#8211; missed out my crucial question &#8211; Is this gender bias reflected in the industry overall?  I&#8217;m guessing yes)</p>
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		<title>Comment on Women at Womad 2011 by sam kimmins</title>
		<link>http://ruthrosselson.net/2011/08/04/women-at-womad-2011/#comment-88</link>
		<dc:creator><![CDATA[sam kimmins]]></dc:creator>
		<pubDate>Thu, 04 Aug 2011 18:50:49 +0000</pubDate>
		<guid isPermaLink="false">http://ruthrosselson.net/?p=500#comment-88</guid>
		<description><![CDATA[Interesting questions!  I certainly agree that a band on a small stage is not of more or less value than the headlining act - they reach different audiences and serve different artistic functions... My initial thought is that an overt focus on gender in the programming could be perceived as patronising - &quot;You&#039;re not really that popular, but we&#039;ll give you a slot because we need more women on the bill&quot; (OK, crudely put but you get the idea)
Digging a bit deeper, my question is, what are the barriers to success that exist for female artists that don&#039;t apply to male?  Is it industry sexism? A historical thing that it&#039;s more &#039;acceptable&#039; for men to have a career in music?  Do audiences prefer the tang of testosterone? or are men that bit more competitive? Hmm, I suspect I may have opened Pandora&#039;s box here!]]></description>
		<content:encoded><![CDATA[<p>Interesting questions!  I certainly agree that a band on a small stage is not of more or less value than the headlining act &#8211; they reach different audiences and serve different artistic functions&#8230; My initial thought is that an overt focus on gender in the programming could be perceived as patronising &#8211; &#8220;You&#8217;re not really that popular, but we&#8217;ll give you a slot because we need more women on the bill&#8221; (OK, crudely put but you get the idea)<br />
Digging a bit deeper, my question is, what are the barriers to success that exist for female artists that don&#8217;t apply to male?  Is it industry sexism? A historical thing that it&#8217;s more &#8216;acceptable&#8217; for men to have a career in music?  Do audiences prefer the tang of testosterone? or are men that bit more competitive? Hmm, I suspect I may have opened Pandora&#8217;s box here!</p>
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		<title>Comment on Women at WOMAD 2010 by Women at Womad 2011 &#124; Ruth Rosselson, freelance writer</title>
		<link>http://ruthrosselson.net/2010/07/26/women-at-womad-2010/#comment-87</link>
		<dc:creator><![CDATA[Women at Womad 2011 &#124; Ruth Rosselson, freelance writer]]></dc:creator>
		<pubDate>Thu, 04 Aug 2011 14:43:25 +0000</pubDate>
		<guid isPermaLink="false">http://ruthrosselson.net/?p=162#comment-87</guid>
		<description><![CDATA[[...] year, after my return from the WOMAD festival, I did a gender audit to see what the percentage of female artists there were on the festival programme.  I found that [...]]]></description>
		<content:encoded><![CDATA[<p>[...] year, after my return from the WOMAD festival, I did a gender audit to see what the percentage of female artists there were on the festival programme.  I found that [...]</p>
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		<title>Comment on Mary Portas tells Co-op Congress how it is by Co-operatives Fortnight and Congress 2011 (#coops14 and #cc11) &#124; Software Cooperative News</title>
		<link>http://ruthrosselson.net/2011/06/27/mary-portas-tells-co-op-congress-how-it-is/#comment-73</link>
		<dc:creator><![CDATA[Co-operatives Fortnight and Congress 2011 (#coops14 and #cc11) &#124; Software Cooperative News]]></dc:creator>
		<pubDate>Wed, 29 Jun 2011 10:45:55 +0000</pubDate>
		<guid isPermaLink="false">http://ruthrosselson.net/?p=452#comment-73</guid>
		<description><![CDATA[[...] We couldn&#8217;t send anyone to the Mary Portas session on Friday evening, but Paul Dale Smith summarised the session and RuthRosselson described it as &#8220;Mary Portas tells Co-op Congress how it is&#8221;. [...]]]></description>
		<content:encoded><![CDATA[<p>[...] We couldn&#8217;t send anyone to the Mary Portas session on Friday evening, but Paul Dale Smith summarised the session and RuthRosselson described it as &#8220;Mary Portas tells Co-op Congress how it is&#8221;. [...]</p>
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